Netherlandish Northern Renaissance Painter, ca.1400-1464 major early Flemish master, known also as Roger de la Pasture. He is believed to have studied with Robert Campin. His early works also show the influence of Jan van Eyck. Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed. His ability to depict piety is reflected in the early masterpiece Descent from the Cross (c.1435; Prado); he depicted with significant restraint the profound grief of the mourners grouped around the tragic figure of Jesus. His composition strongly affected later representations of the theme. Roger became City Painter in Brussels in 1436. He then produced a series of undated altarpieces including the Last Judgment (hospital, Beaune), the Braque Triptych (Louvre), Crucifixion with Donors (Vienna), and Adoration of the Magi (Berlin), which vary in execution from a stress on sumptuous details to a more sculptural rendering of the figures. Roger is believed to have made a pilgrimage to Italy in the holy year 1450. Whether this supposed excursion had any effect on his style is much debated. It has been shown that his Entombment (Uffizi) bears an affinity to the Tuscan treatment of the subject, particularly by Fra Angelico, and that Roger's Virgin and Child with Saints (Frankfurt) has a strong resemblance to the Italian religious art of the day. His style is, however, highly individual. His religious paintings and his portraits are characterized by a straightforward monumentality. The portraits, such as that of a young lady (National Gall. of Art, Washington, D.C.) and of Francesco d'Este (Metropolitan Mus.) exhibit a simple clarity of contour and psychological penetration. Other notable works are his St. Luke Painting the Virgin, of which a version or replica is in the Museum of Fine Arts, Boston, the Crucifixion   Related Paintings of WEYDEN, Rogier van der :. | Braque Family Triptych | Diptych | St John Altarpiece | Virgin and Child | St Luke Drawing a Portrait of the Madonna |
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Albert Gottschalk
(3 July 1866 - 13 February 1906) was a Danish painter. He had a close connection, personally and artisticly, to the poets Johannes Jørgensen, Viggo Stuckenberg and Sophus Claussen. Albert Gottschalk was born in Stege on the island of Møn. but later moved to Copenhagen. He was educated at the Royal Danish Academy of Fine Arts from 1882 to 1883 and under Peder Severin Krøyer at the Artists Studio Schools from hos from 1883 to 1888. He also studied privately with Karl Jensen and Karl Madsen. Gottschalk was inspired by the Danish painter P.S. Krøyer as well as French art. Gottschalk was ambitious, technically skilled, and he worked a long time with his motifs in his mind before painting them. He searched for his motifs in Denmark on his bicycle, and he found them often around Copenhagen. The paintings often look like they are quickly made sketches which was not recognised in Gottschalkes time. But today people find his works fresher and more timeless than art from that time normally is.
Friedrich overbeck
1789-1869 German religious painter. Expelled from the Vienna Academy because of his opposition to its classicism, he went to Rome and with Peter von Cornelius, Veit, Schadow-Godenhaus, and others, formed the group known as the Nazarenes. His first real successes were his frescoes for the Casa Bartholdy (now in Berlin) and for the Villa Massimo. Among his notable paintings are Christ's Entry into Jerusalem and Christ's Agony in the Garden. Overbeck sought to make his art serve religion.
Laszlo Paal
Laszlo Paal (1846-1879) was a Hungarian Realist landscape painter. He was a pupil of Mihaly Munkacsy. His pictures are representative of lyrical realism: his oeuvre is related to the tendencies of the Barbizon School.